Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts
Friday, 12 October 2012
Second - a bit about a writing (because that's why we're here, right?)
So I started a new writing course thing last night. I know, I'm forever going on them, I'm like a writing course addict. But this one seems especially good (I'll tell you why in a little minute). It's run by a lovely lady called Lisa who has a company called the Poetry Fold (check out her website here http://poetryfold.co.uk/). Anyway, one of the reasons why I really like her is because I was due to go on this course in April, and I couldn't attend the first session because I felt horrid and then by the time the second one rolled round I was in hospital. These courses always have some sort of no cancellation policy, especially last minute ones, so I was expecting to lose my money. But no! Lisa offered to keep a place on the next course for me, which was so lovely and at a time when it felt like everything was going wrong and I was feeling very sorry for myself it was just such a kind and unexpected gesture that it made me a little bit tearful. So that's reason one. Reason two is it's my day off today, and I've been up since 6.30 am (that's in the morning, folks, the morning) playing one of the games she taught us. I'll run through it with you, you might have heard of it. The name of the game is Exquisite Corpse and it's so easy and fun and useful that I can't believe I've never played it before. Anyhoo, you need a bit of paper with two columns. One on the left = adjectives, right = nouns. Write a massive list of nouns (about 20 is probably a good number but it's entirely up to you) then if you're playing with someone else fold the paper so they can't see the nouns and get them to write the adjectives. If you're playing with yourself as I am this morning, put the list of nouns away until you've forgotten about them (which will probably be about half an hour in my case) and then jump on the adjective wagon. I've chosen to make a table in word and type out my nouns so in a bit I'm going to print it and put it in a safe place and do the adjectives later, or give it to the husband to do my adjectives for me which might also be quite fun. We played this last night and some of them were hilarious, some interesting, some thought-provoking. My favourites were...
* thin flatterer
* fat moon
* velvet path
Anyway, it's fun and easy and you know it was a good game when I'm up before seven on my day off playing it. Oh yeah! I always think it's really interesting how random writing exercises can link to things I'm already writing/planning and thin flatterer is a fab description of one of my more tricky characters for my NaNo project, so I'm very pleased about that! If you want to play this game with me (and I recommend it if you're writing, totally) then let me know and we'll figure out the logistics of it...right, that's it from me. I'm off to make a cheese toastie for breakfast, because I'm underweight and that's how I roll...boom!
Tuesday, 15 December 2009
Celebrity Death Beeper
I've signed up to this site, right, where every time a celebrity dies they send me an email (right to my blackberry so I get it, like, immediately). Admittedly, it is morbid. But it is also exciting. And slightly disappointing. Either their idea of what constitutes a celebrity is wildly different from mine, or nobody decent has carked it recently.
EVANGELIST ORAL ROBERTS DIES AT AGE 91
http://deathbeeper.com/0911821.html
I live for the day I get the message telling me somebody really famous has died. I wish I'd known about it in June...
The boyfriend has gone to Edinburgh with his dad to see Them Crooked Vultures so I'm home alone. I've written all my Christmas cards and have now retired to bed to watch the Dexter boxset my friend lent me aaaages ago. I was going to post a sestina called Sofia but it doesn't appear to be on my hard drive, and although I know it will be in the big pink plastic writing graveyard in my study, I do not have the energy or inclination to go and root through it. So, as a lazy assed trade-off, you can have two poems that are in my head
xx
ps don't ask about the word count. I'm not speaking to it at the moment
New Shoes
I walk a mile
in someone else's shoes
but they don't fit,
they pinch and itch
and make me sad.
Blue Eyes
I was walking down the street
when I saw him for the first time
I felt his big, blue eyes staring into mine.
We said hello.
The conversation flowed.
We both collected two hundred pounds
and we both passed Go.
It was magic, exciting and surreal
he took me out for a Japanese meal
he looked at me,
with those big blue eyes and said
I think I know you well enough
I want to take you to bed.
EVANGELIST ORAL ROBERTS DIES AT AGE 91
http://deathbeeper.com/0911821.html
I live for the day I get the message telling me somebody really famous has died. I wish I'd known about it in June...
The boyfriend has gone to Edinburgh with his dad to see Them Crooked Vultures so I'm home alone. I've written all my Christmas cards and have now retired to bed to watch the Dexter boxset my friend lent me aaaages ago. I was going to post a sestina called Sofia but it doesn't appear to be on my hard drive, and although I know it will be in the big pink plastic writing graveyard in my study, I do not have the energy or inclination to go and root through it. So, as a lazy assed trade-off, you can have two poems that are in my head
xx
ps don't ask about the word count. I'm not speaking to it at the moment
New Shoes
I walk a mile
in someone else's shoes
but they don't fit,
they pinch and itch
and make me sad.
Blue Eyes
I was walking down the street
when I saw him for the first time
I felt his big, blue eyes staring into mine.
We said hello.
The conversation flowed.
We both collected two hundred pounds
and we both passed Go.
It was magic, exciting and surreal
he took me out for a Japanese meal
he looked at me,
with those big blue eyes and said
I think I know you well enough
I want to take you to bed.
Saturday, 5 December 2009
sleepy, grumpy, Saturday (or, Bijou = two of the seven dwarves and one day of the week)
Re-writing is hard. Its tricky keeping up the momentum when my writing isn't so "fly by the seat of my pants, I don't really care so long as I get it down on paper". When I actually have to think about what happens next, and I care about teeny little things like consistency. Even though it doesn't have to be perfect, I'm only too aware that that day will come, so the more I can do now, the easier it will be. I'm also starting to doubt myself. And I've been doing overtime, so I'm very tired (how I ever used to have two jobs I do not know, I've only done an extra eight and a half hours this week and feel like I'm on the brink of some sort of emotional collapse). But, I have been getting into work for seven, and using my first hour to write (oh, and Christmas shop, but hey ho) so I guess thats something. My friend Lucy suggested that I may be setting myself silly goals, and that perhaps I could re-write the thing a little slower...I don't know, I guess I just want to get it done. Boo! A tired and not as productive as she would have liked to have been Bijou is a sad Bijou.
The boyfriend and your man Bloom have gone to the match so I have the flat to myself, and after falling asleep on the couch during the Psychic Detectives (I love the Crime channels!!!) and then feeling grumpy so going to bed for an unsuccessful nap, I'm now drinking frothy coffee with a spoonful of actual coffee in it, and its not really working in th short term so I have a terrible feeling that I'm going to go super-hyper later. I've got 100 weekend rock albums on in the background, and I'm going to try and get two thousand words before I go out. I think I will feel better then. Tomorrow, we're going to Tynemouth flea market, which is good because I'll probably buy some books, and one of my characters lives in Tynemouth so I'm going to find her a house and take some photos of it, stalker-stylee.
Right, the words are not going to type themselves, I'd best get to it. In the meantime, have a poem. I've actually quite enjoyed putting some old stuff on here, I've decided I quite like it! Still no excuse for not writing new stuff, but that day will come. I'm currently working on two short stories and one piece of flash fiction, oh, and the big story. Busy, busy, busy.
xx
ps is it just me, or has the spell check facility disappeared from the blog? I can't find it!?!
Save the Tigers
He stands there, unsmiling,
the sign on the back of his t-shirt
peppered with exclamation marks,
far more excited than he is
as he watches,
suits and briefcases swarm round him
racing to wherever they had to be
ten minutes ago!
Ignoring the empty tin
that he isn’t rattling
as he stares, unblinking
and he watches,
polished suits and pressed shirts
dancing round novelty ties
heading off to the city!
To secretaries, twelve hour days, ulcers,
paper work, sales reports and corner offices,
carpeted, with a view of the river.
And he just stands there. Redundant.
His premature grey hair messy
an unfortunate side-effect when in the long run
it wasn’t worth it. As he stands
saving tigers at the tube station.
The boyfriend and your man Bloom have gone to the match so I have the flat to myself, and after falling asleep on the couch during the Psychic Detectives (I love the Crime channels!!!) and then feeling grumpy so going to bed for an unsuccessful nap, I'm now drinking frothy coffee with a spoonful of actual coffee in it, and its not really working in th short term so I have a terrible feeling that I'm going to go super-hyper later. I've got 100 weekend rock albums on in the background, and I'm going to try and get two thousand words before I go out. I think I will feel better then. Tomorrow, we're going to Tynemouth flea market, which is good because I'll probably buy some books, and one of my characters lives in Tynemouth so I'm going to find her a house and take some photos of it, stalker-stylee.
Right, the words are not going to type themselves, I'd best get to it. In the meantime, have a poem. I've actually quite enjoyed putting some old stuff on here, I've decided I quite like it! Still no excuse for not writing new stuff, but that day will come. I'm currently working on two short stories and one piece of flash fiction, oh, and the big story. Busy, busy, busy.
xx
ps is it just me, or has the spell check facility disappeared from the blog? I can't find it!?!
Save the Tigers
He stands there, unsmiling,
the sign on the back of his t-shirt
peppered with exclamation marks,
far more excited than he is
as he watches,
suits and briefcases swarm round him
racing to wherever they had to be
ten minutes ago!
Ignoring the empty tin
that he isn’t rattling
as he stares, unblinking
and he watches,
polished suits and pressed shirts
dancing round novelty ties
heading off to the city!
To secretaries, twelve hour days, ulcers,
paper work, sales reports and corner offices,
carpeted, with a view of the river.
And he just stands there. Redundant.
His premature grey hair messy
an unfortunate side-effect when in the long run
it wasn’t worth it. As he stands
saving tigers at the tube station.
Sunday, 29 November 2009
Hit and Run
Dead flowers sellotaped
to a lamp post
with sympathy.
Words running into
the folds of the soggy
card. Ink-blot butterfly
growing in the corner,
condensation gathers and glistens
foggy on cellophane.
A cried river of tears
dripping onto old, brown petals.
Lamp post like a beacon, glowing
a permanent marker,
as school friends hold hands and
their breath, tip-toeing round
the dark pool of blood,
long scrubbed away but
stained in their memories,
under the bed
with the pistol crack sound
of his head
splitting open
on the pavement.
to a lamp post
with sympathy.
Words running into
the folds of the soggy
card. Ink-blot butterfly
growing in the corner,
condensation gathers and glistens
foggy on cellophane.
A cried river of tears
dripping onto old, brown petals.
Lamp post like a beacon, glowing
a permanent marker,
as school friends hold hands and
their breath, tip-toeing round
the dark pool of blood,
long scrubbed away but
stained in their memories,
under the bed
with the pistol crack sound
of his head
splitting open
on the pavement.
Saturday, 28 November 2009
Clare
He called her Clare.
She was pear-shaped, his favourite fruit,
the image of her mother, fire red hair
slow, special smile, skin so fair
and mannerisms and an attitude to boot.
He called her Clare
and no other woman could begin to compare!
With her budding breasts and grown-up shoes
she was the image of her mother. Fire red hair
cut to precision with style and flair,
how could he resist her? this temptress? confused
he called her, “Clare!”
Watched her, stood on the stair
(and above the mantle, observing, mute
the image of her mother). She had fire red hair
down below. Delicate, perfect everywhere,
his little girl bruised in her birthday suit.
He only called her Clare.
She was the image of her mother.
She was pear-shaped, his favourite fruit,
the image of her mother, fire red hair
slow, special smile, skin so fair
and mannerisms and an attitude to boot.
He called her Clare
and no other woman could begin to compare!
With her budding breasts and grown-up shoes
she was the image of her mother. Fire red hair
cut to precision with style and flair,
how could he resist her? this temptress? confused
he called her, “Clare!”
Watched her, stood on the stair
(and above the mantle, observing, mute
the image of her mother). She had fire red hair
down below. Delicate, perfect everywhere,
his little girl bruised in her birthday suit.
He only called her Clare.
She was the image of her mother.
Saturday, 24 October 2009
waiting and procrastinating
I've just been down to check the post (before you say it, I know, I know, there is a postal strike on). I wouldn't usually bother. I don't tend to get any interesting post unless I've ordered something from ebay. Its all the bills I can't manage on-line, payslips and general boring nonsense that reminds me I'm a grown-up, but at the moment, I am waiting for a letter. I would be quite excited if I wasn't so irritated by the whole process. See, I've applied for this thing at work...lets call it a talent management programme. Basically, if you can prove you've got potential, they will spend two years trying to exploit this and send you on secondments and to India and...well, its just something else to do that's a bit different from my day job and will help me pass the time until I retire or become a best-selling author and can jack the whole thing in. I really, really, really want to get on it but its been dragging on for such a long time its farcical. We were supposed to get the info in May, it came on the last day of May. So I applied in June. Was interviewed in August and had my assessment centre the week before last. Every time they've told us we'll hear about the outcome, they've missed their own deadline by about 3 weeks. They've also, bizarrely, taken it upon themselves to communicate with us by post. By post? Why not by carrier pigeon? That's equally archaic. Honestly. So, we're supposed to find out at some point soon. Hence me checking the post (there was nothing there, incidentally). But now I'm just going to be up a height until I find out. I hate it. I hate waiting. I especially hate waiting for something which experience teaches me will be delayed, through no fault of mine but through the ineptitude of others. Grrrrrr.
There are some kinds of waiting that I don't really mind. For example, I don't mind waiting for a bus, if the weather is nice and I have a book (I never go anywhere without a book. If I leave the house and realise I've forgotten it, I can get quite panicky. What if I had to wait somewhere?)
There are some kinds of waiting that I bring on myself. You know the kind. When I really should be doing something but I just put it off and put it off and play on the internet or read or watch tv instead. Procrastination is indeed a self-imposed form of waiting. But I don't mind that at all. In fact, by default, it is one of my main hobbies. Take now, for instance. I switched on the computer at about 9.30 to do some writing. I drafted an outline for a short story (I generally don't do that but I am trying to write stuff for magazines, with a very specific audience and therefore it is easier to actually plan) and since then I have had about 4 cups of tea, done 2 loads of washing and discovered this...
http://postsecret.blogspot.com/
which I think is fab. But its not what I sat down to do. I definitely need to get over the whole waiting to write thing that I've got going on. Procrastination never wrote a novel. Sitting down at the computer and actually typing wrote a novel. With this in mind, I've decided that next month I am going to take part in National Novel Writing Month (http://www.nanowrimo.org/). The aim is to write 50,000 during November. The theory is that first drafts are generally rubbishy, but you need to write them to get on to the second and third drafts, which are generally a lot better. So fingers crossed I will get to the end of November and have 50,000 words, which I really hope will have a beginning, a middle and an end, some interesting characters and potential for a real, live book. I normally talk myself out of my writing, decide its rubbish and then just stop and do something else, so I'm hoping this will help me get over it. I haven't written anything down yet (you're allowed to plan, although I'm no good at plans as sooner or later, it stops being a plan and becomes a story with description and dialogue, as its more interesting to show the characters doing something than tell myself about it). I've had the story in my head for a few months, and my characters are now starting to have conversations with each other, which I fervently hope they'll still be doing when I start to write. It should be an interesting experience, and its all part of the "absolutely have to do something before I'm 30" mission that I'm on. Needless to say, I'll keep you posted...in the meantime, have a poem...
Waiting
Waiting,
by the phone,
even though it’s a mobile
on vibrate and turned up loudly,
checked religiously,
like a new mother round a sickly baby
up every five minutes –
is it still breathing?
has it got enough batteries?
Waiting, for a call, a text,
anything, to say
I enjoyed the other night,
would like to see you again,
buy you flowers,
take you to dinner,
introduce you to my mother,
perhaps get married
or something.
Waiting,
going out of my mind with waiting,
my mind which is cramped,
cluttered thoughts of my ideal man who
calls me Princess,
brings me chocolates,
and has mastered the art of interesting conversation
(even though I don’t know his surname
and am not even sure I could
pick him out of a line-up).
Waiting,
holding my breath til I’m blue in the face
with waiting,
think I might burst
if the phone doesn’t ring
(not sure what I’d do if he actually called)
and I’m waiting,
and waiting.
Like I don’t have anything better to do.
The phone beeps,
and I feel sick
and I can’t breath
one message received
and I’m waiting.
There are some kinds of waiting that I don't really mind. For example, I don't mind waiting for a bus, if the weather is nice and I have a book (I never go anywhere without a book. If I leave the house and realise I've forgotten it, I can get quite panicky. What if I had to wait somewhere?)
There are some kinds of waiting that I bring on myself. You know the kind. When I really should be doing something but I just put it off and put it off and play on the internet or read or watch tv instead. Procrastination is indeed a self-imposed form of waiting. But I don't mind that at all. In fact, by default, it is one of my main hobbies. Take now, for instance. I switched on the computer at about 9.30 to do some writing. I drafted an outline for a short story (I generally don't do that but I am trying to write stuff for magazines, with a very specific audience and therefore it is easier to actually plan) and since then I have had about 4 cups of tea, done 2 loads of washing and discovered this...
http://postsecret.blogspot.com/
which I think is fab. But its not what I sat down to do. I definitely need to get over the whole waiting to write thing that I've got going on. Procrastination never wrote a novel. Sitting down at the computer and actually typing wrote a novel. With this in mind, I've decided that next month I am going to take part in National Novel Writing Month (http://www.nanowrimo.org/). The aim is to write 50,000 during November. The theory is that first drafts are generally rubbishy, but you need to write them to get on to the second and third drafts, which are generally a lot better. So fingers crossed I will get to the end of November and have 50,000 words, which I really hope will have a beginning, a middle and an end, some interesting characters and potential for a real, live book. I normally talk myself out of my writing, decide its rubbish and then just stop and do something else, so I'm hoping this will help me get over it. I haven't written anything down yet (you're allowed to plan, although I'm no good at plans as sooner or later, it stops being a plan and becomes a story with description and dialogue, as its more interesting to show the characters doing something than tell myself about it). I've had the story in my head for a few months, and my characters are now starting to have conversations with each other, which I fervently hope they'll still be doing when I start to write. It should be an interesting experience, and its all part of the "absolutely have to do something before I'm 30" mission that I'm on. Needless to say, I'll keep you posted...in the meantime, have a poem...
Waiting
Waiting,
by the phone,
even though it’s a mobile
on vibrate and turned up loudly,
checked religiously,
like a new mother round a sickly baby
up every five minutes –
is it still breathing?
has it got enough batteries?
Waiting, for a call, a text,
anything, to say
I enjoyed the other night,
would like to see you again,
buy you flowers,
take you to dinner,
introduce you to my mother,
perhaps get married
or something.
Waiting,
going out of my mind with waiting,
my mind which is cramped,
cluttered thoughts of my ideal man who
calls me Princess,
brings me chocolates,
and has mastered the art of interesting conversation
(even though I don’t know his surname
and am not even sure I could
pick him out of a line-up).
Waiting,
holding my breath til I’m blue in the face
with waiting,
think I might burst
if the phone doesn’t ring
(not sure what I’d do if he actually called)
and I’m waiting,
and waiting.
Like I don’t have anything better to do.
The phone beeps,
and I feel sick
and I can’t breath
one message received
and I’m waiting.
Tuesday, 20 October 2009
a little secret or two...
I'm going to tell you a secret. don't get your hopes up, its not scandalous (well, unless you're easily scandalised by syntax) but, here we go...I'm not a big fan of capital letters. I think they're over-rated. oh, ok, sure, they can serve a purpose, and sometimes they're useful ("I" for example, is one that I think deserves a capital) they're good when you really want to make a POINT, or play with the way your words look, but for the most part, I think that capital letters are pretty redundant. I mean, new york is just New York, right? you wouldn't read about someone going shopping in new york and think "oh my gosh, where is this fabulous place I've never heard of?" would you? (if the answer is yes, well...quite frankly there is little hope for you. jog on).
but apart from all that, I just don't think that upper case is as pretty as lower case. check out how cute I am, writing in lower case, blah blah blah.
so that is secret number one. I warned you, not scandalous. but someone pointed out that people might read this blog and think that I didn't know how to write because I sometimes don't capitalise properly. (admittedly, I think there has been little interest from people who I don't know, so its not necessarily an issue yet but still, it could happen). so for all of you stranger dangers out there who don't know that in bijou-land small=cute, this is for you. I can capitalise, I just choose not to. so there.
(the eagle-eyed amongst you might notice that some of my posts have capitals and some don't. there is a simple explanation, some of them are drafted in word and copied over. word likes to correct you if you don't start a sentence with a capital letter - it makes poetry incredibly frustrating!!! - but this generally means I am more prone to capitals when using word. when I haven't used word, ta-da!!! no capitals).
secret number two. I'm not brilliant at grammar. I use punctuation to make things sound like I want them to sound in my head, so for everyone who isn't me, I can only assume that you read it the same way and understand. sometimes this means that things are more stream of consciousness than grammatically correct. sometimes it's because I choose not to do it (I know, for example, that I shouldn't start a sentence with an and or a but), and sometimes it's because I just don't know. I'm quite anal about my there/they're/theirs - it drives me absolutely fruit loopy when people get them wrong (when I was a civil servant, I used to ignore emails from senior managers where the incorrect "there" was used) but I can't for the life of me get my head round it's/its. the information just won't stay in there. I don't know why. I'm a bright girl, but for the most part, I don't get it. so I ignore it (I know I used it correctly before, but that's because I've been dictionary.comming whilst typing this). so whilst I'm militant about "there" I am incredibly lax about "its". I like grammar when it suits me, which is when I understand it and find it easy.
I used to work with a woman who didn't know what an apostrophe was. she called it an "up-comma" and went through a phase of sending out emails that read a bit like she,d never written anything that,d ever required an up-comma before, because surely you,d look at that and realise that it,s wrong, wouldn,t you?
needless to say, upon receiving the email I had a massive rant. (I am also very careful to ensure that any emails I send out at work make sense, I would hate for anyone to read one and think that I'm stupid). looking back, part of me thinks that perhaps she just didn't understand so chose to ignore the apostrophe/comma debate, but a bigger part of me thinks that surely no-one can honestly think that that,s how normal people write? hmmm. lazy militant, that's me.
another thing that drives me mental is american english. z where s's should be, a distinct lack of u's...I'm not very good at spelling any more (that is definitely the fault of the computer, its inherent laziness on my part. I have no excuse) but I really, really, really hate it when the spell check tries to correct me and make me spell in american. and on that very tenuous link...here is a very old poem. it's a bit silly. goodnight!! xx
Americans can't spell "colour"
Oh, what have the Americans,
got against the letter "U"?
They leave it out of colour
and out of neighbour too.
What if they were prejudiced
against the letter "O" as well?
Then colour would be clr
a very awkward word to spell.
I guess we should just all be thankful
they don't mind "L" "R" and "C"
or there'd just be a space like this
where colour ought to be.
but apart from all that, I just don't think that upper case is as pretty as lower case. check out how cute I am, writing in lower case, blah blah blah.
so that is secret number one. I warned you, not scandalous. but someone pointed out that people might read this blog and think that I didn't know how to write because I sometimes don't capitalise properly. (admittedly, I think there has been little interest from people who I don't know, so its not necessarily an issue yet but still, it could happen). so for all of you stranger dangers out there who don't know that in bijou-land small=cute, this is for you. I can capitalise, I just choose not to. so there.
(the eagle-eyed amongst you might notice that some of my posts have capitals and some don't. there is a simple explanation, some of them are drafted in word and copied over. word likes to correct you if you don't start a sentence with a capital letter - it makes poetry incredibly frustrating!!! - but this generally means I am more prone to capitals when using word. when I haven't used word, ta-da!!! no capitals).
secret number two. I'm not brilliant at grammar. I use punctuation to make things sound like I want them to sound in my head, so for everyone who isn't me, I can only assume that you read it the same way and understand. sometimes this means that things are more stream of consciousness than grammatically correct. sometimes it's because I choose not to do it (I know, for example, that I shouldn't start a sentence with an and or a but), and sometimes it's because I just don't know. I'm quite anal about my there/they're/theirs - it drives me absolutely fruit loopy when people get them wrong (when I was a civil servant, I used to ignore emails from senior managers where the incorrect "there" was used) but I can't for the life of me get my head round it's/its. the information just won't stay in there. I don't know why. I'm a bright girl, but for the most part, I don't get it. so I ignore it (I know I used it correctly before, but that's because I've been dictionary.comming whilst typing this). so whilst I'm militant about "there" I am incredibly lax about "its". I like grammar when it suits me, which is when I understand it and find it easy.
I used to work with a woman who didn't know what an apostrophe was. she called it an "up-comma" and went through a phase of sending out emails that read a bit like she,d never written anything that,d ever required an up-comma before, because surely you,d look at that and realise that it,s wrong, wouldn,t you?
needless to say, upon receiving the email I had a massive rant. (I am also very careful to ensure that any emails I send out at work make sense, I would hate for anyone to read one and think that I'm stupid). looking back, part of me thinks that perhaps she just didn't understand so chose to ignore the apostrophe/comma debate, but a bigger part of me thinks that surely no-one can honestly think that that,s how normal people write? hmmm. lazy militant, that's me.
another thing that drives me mental is american english. z where s's should be, a distinct lack of u's...I'm not very good at spelling any more (that is definitely the fault of the computer, its inherent laziness on my part. I have no excuse) but I really, really, really hate it when the spell check tries to correct me and make me spell in american. and on that very tenuous link...here is a very old poem. it's a bit silly. goodnight!! xx
Americans can't spell "colour"
Oh, what have the Americans,
got against the letter "U"?
They leave it out of colour
and out of neighbour too.
What if they were prejudiced
against the letter "O" as well?
Then colour would be clr
a very awkward word to spell.
I guess we should just all be thankful
they don't mind "L" "R" and "C"
or there'd just be a space like this
where colour ought to be.
Tuesday, 13 October 2009
Yorkshire puddings and historical fiction
There are certain things that I’d really like to be able to do. Certain things that I’m a more than a little bit in awe of. I’ve attempted to make Yorkshire puds on numerous occasions, and they’re, well, lets just say that they come out ok. They generally come out tasting like Yorkshire puddings and looking like, er, flat Yorkshire puddings. But they’re definitely recognisable as what they’re supposed to be, and not poisonous, which is always a good start when cooking. They don’t, however, come out anything like they do when my dad’s girlfriend makes them, even when I follow her instructions to the letter. Most of the time (I say most of the time because I think there was a fluke or two early doors which filled me with false confidence) they just don’t rise properly. I try not to let it get to me. It’s not the end of the world. I have, after all, mastered roast potatoes. I had a few soggy efforts at first but then I got there, and the boyf reached up and dusted off one of his best compliments, telling me “They’re just as good as ones you’d buy from the shop”. But roast potato making successes aside, there would still be something very satisfying about making decent Yorkshires.
Aside from Yorkshire puddings I would really, really like to be able to write realistic historical fiction. This is not at all like making Yorkshire puddings because this is something I have never even attempted. Now, I’m not saying that I want to realistically and evocatively bring to life the tempestuous relationships of Jacobean sheep farmers. What I’m saying is that I find it hard enough to write convincingly in the real world, in the here and now where I live my life, every day, and have quite a lot of experience of. I can’t imagine how difficult it would be to write (and write well) when your characters are slap bang in the middle of a different time period. Its about evoking a sense of place. The reason that this is in my head today is because as an exercise in last weeks writing class we had to make lists, some of them were boring (things that I like to read about, things that interest me) but one really struck a chord. Times that interest me. My list was World War Two, Pioneer America and my 1980s childhood.
So our homework was to find a topic (from one of the many lists) that interests me, devise an idea for a character, consider what they most want, make a list of obstacles, pick one scenario and write about it blah blah blah. We have to show the character in action not getting what they want and it should be about 300 words.
Now, I’m really struggling for a couple of reasons. Firstly, I’ve never been much of a planner. I tend to write inside out and start with what I think is the beginning and an idea of where I think its going, only to realise that the beginning is not the beginning at all and where I thought it was going was a different direction than I’ve found myself now. After a bit, I plan if I need to and that’s when the lists start and the random notes and the hope that I can tie it together. Secondly, I find that if I just write, then sooner or later I will figure out the character and the obstacles and it will all sort itself out. It is very difficult to find out what a character wants before you’ve done the decent thing and written about them a little bit and started to get to know them.
So I think I am going to have to cheat, and do the homework backwards and wine and dine my character first before making a list of their deepest desires and the obstacles in their way, because its not very interesting the other way round. And although I would like my character to be a German Jew in post-war Britain, I have a feeling that she probably won’t be. Just because I’m not convinced I could ever write her, and (at this precise moment in time, when my writing is all about building my confidence back up and getting into good habits) I’m a bit too scared to try.
Anyway, I’m going to stop rambling (must go and finish my homework).
Before I go, I’m going to post a poem, where I do feel like I’ve captured time quite well. It was written as an exercise when I was at Uni and we all went to the National Portrait Gallery and were, quite simply, told to write poems of pictures that took our fancy. This one is written after seeing “Dancing Couple from Animal Locomotion” (1887) by Eadweard Muybridge. I googled him, he’s a bit mental
http://en.wikipedia.org/wiki/Eadweard_Muybridge
and here are some examples of the kind of work he did (although not the actual picture the poem is based on, I can’t find that anywhere)
http://www.kingston.gov.uk/browse/leisure/museum/museum_exhibitions/muybridge/animal_locomotion/online_prints.htm
Ok, here we go…
Poem of a Picture
As my eyes move, I see the couple dance,
The same couple who,
From the other side of the room,
Seemed quite, quite still,
But now as I stand and watch them dance
I see her slow smile as she turns to the camera
I hear the swoosh of her long skirt moving behind her,
I feel the warmth of his arms around her,
And the shiver of excitement that runs up her spine
And the fantasies that race through his mind
And the quickening pulse and the shallow breath
As he tries, and fails, not to look at her breasts,
She sees but merely laughs and ignores it
Because deep down inside she really adores it
Their bodies in tune, twirling the dance,
A soft, low moan, a furtive glance,
Her heart races, anticipates the thrill
But then I look away and they are still.
Aside from Yorkshire puddings I would really, really like to be able to write realistic historical fiction. This is not at all like making Yorkshire puddings because this is something I have never even attempted. Now, I’m not saying that I want to realistically and evocatively bring to life the tempestuous relationships of Jacobean sheep farmers. What I’m saying is that I find it hard enough to write convincingly in the real world, in the here and now where I live my life, every day, and have quite a lot of experience of. I can’t imagine how difficult it would be to write (and write well) when your characters are slap bang in the middle of a different time period. Its about evoking a sense of place. The reason that this is in my head today is because as an exercise in last weeks writing class we had to make lists, some of them were boring (things that I like to read about, things that interest me) but one really struck a chord. Times that interest me. My list was World War Two, Pioneer America and my 1980s childhood.
So our homework was to find a topic (from one of the many lists) that interests me, devise an idea for a character, consider what they most want, make a list of obstacles, pick one scenario and write about it blah blah blah. We have to show the character in action not getting what they want and it should be about 300 words.
Now, I’m really struggling for a couple of reasons. Firstly, I’ve never been much of a planner. I tend to write inside out and start with what I think is the beginning and an idea of where I think its going, only to realise that the beginning is not the beginning at all and where I thought it was going was a different direction than I’ve found myself now. After a bit, I plan if I need to and that’s when the lists start and the random notes and the hope that I can tie it together. Secondly, I find that if I just write, then sooner or later I will figure out the character and the obstacles and it will all sort itself out. It is very difficult to find out what a character wants before you’ve done the decent thing and written about them a little bit and started to get to know them.
So I think I am going to have to cheat, and do the homework backwards and wine and dine my character first before making a list of their deepest desires and the obstacles in their way, because its not very interesting the other way round. And although I would like my character to be a German Jew in post-war Britain, I have a feeling that she probably won’t be. Just because I’m not convinced I could ever write her, and (at this precise moment in time, when my writing is all about building my confidence back up and getting into good habits) I’m a bit too scared to try.
Anyway, I’m going to stop rambling (must go and finish my homework).
Before I go, I’m going to post a poem, where I do feel like I’ve captured time quite well. It was written as an exercise when I was at Uni and we all went to the National Portrait Gallery and were, quite simply, told to write poems of pictures that took our fancy. This one is written after seeing “Dancing Couple from Animal Locomotion” (1887) by Eadweard Muybridge. I googled him, he’s a bit mental
http://en.wikipedia.org/wiki/Eadweard_Muybridge
and here are some examples of the kind of work he did (although not the actual picture the poem is based on, I can’t find that anywhere)
http://www.kingston.gov.uk/browse/leisure/museum/museum_exhibitions/muybridge/animal_locomotion/online_prints.htm
Ok, here we go…
Poem of a Picture
As my eyes move, I see the couple dance,
The same couple who,
From the other side of the room,
Seemed quite, quite still,
But now as I stand and watch them dance
I see her slow smile as she turns to the camera
I hear the swoosh of her long skirt moving behind her,
I feel the warmth of his arms around her,
And the shiver of excitement that runs up her spine
And the fantasies that race through his mind
And the quickening pulse and the shallow breath
As he tries, and fails, not to look at her breasts,
She sees but merely laughs and ignores it
Because deep down inside she really adores it
Their bodies in tune, twirling the dance,
A soft, low moan, a furtive glance,
Her heart races, anticipates the thrill
But then I look away and they are still.
Saturday, 10 October 2009
day two and some small technical difficulties...
so I managed to log on here before and edit my blog. this is easy, I thought. this is a piece of cake. then I decided to start following some blogs I like...and have managed to follow myself. so now the bijou raconteur follows, er, the bijou raconteur. this isn't me being a narcissist, this is me not being particularly technologically savvy. oops. luckily, cally is going to log on later and fix it for me, she's really quite good at it, which is good for me. phew!
so I'm going to stick to what I can do, which is type text in a box. there's not much that can go wrong here (hopefully).
as I mentioned yesterday, I'm in the process of sending stuff off to magazines and competitions and have decided that each story will have a 3 strikes rule - if it isn't accepted, then I'm going to post it on here. like vanity publication that isn't going to bankrupt me. hooray! I only started sending stuff off at the end of August, so that means it will be a good few months before I've been rejected 3 times. so for now, until I write something just for here (which I will, I've started it already, although historically I'm a lot better at starting things than I am at finishing them) for now I am going to post some old stuff. just to get posting, and to keep the momentum up. which is a good thing.
ok, so here you are, have some poems. enjoy!
Old woman sat alone
at a two seater table
in the window of the bakers,
shop half unopened around her,
as she nibbles, squirrel-like,
at her antiquated toasted teacake,
treating herself.
Teacup devoid of saucer
in this harsh, modern world,
plate, knife, spoon arranged symmetrically,
a bad habit from her childhood
enraged by old age
and the taunt of senile dementia.
Old woman sat alone like a bulldog,
all jowl and foul expression,
the youth of yesterday,
an attitude problem armed
with a walking stick and a blue rinse.
Twenty-one again if she closes her eyes,
ignores her aching joints, rheumy fingers.
She's waiting for him in the shadows,
breeze blowing freshly washed hair in her eyes,
shivering beneath her thin cardigan.
He steals up behind her,
wraps his arms around her thin waist,
shared laughter,
warm glow,
brilliant smile.
so I'm going to stick to what I can do, which is type text in a box. there's not much that can go wrong here (hopefully).
as I mentioned yesterday, I'm in the process of sending stuff off to magazines and competitions and have decided that each story will have a 3 strikes rule - if it isn't accepted, then I'm going to post it on here. like vanity publication that isn't going to bankrupt me. hooray! I only started sending stuff off at the end of August, so that means it will be a good few months before I've been rejected 3 times. so for now, until I write something just for here (which I will, I've started it already, although historically I'm a lot better at starting things than I am at finishing them) for now I am going to post some old stuff. just to get posting, and to keep the momentum up. which is a good thing.
ok, so here you are, have some poems. enjoy!
Window
Old woman sat alone
at a two seater table
in the window of the bakers,
shop half unopened around her,
as she nibbles, squirrel-like,
at her antiquated toasted teacake,
treating herself.
Teacup devoid of saucer
in this harsh, modern world,
plate, knife, spoon arranged symmetrically,
a bad habit from her childhood
enraged by old age
and the taunt of senile dementia.
Old woman sat alone like a bulldog,
all jowl and foul expression,
the youth of yesterday,
an attitude problem armed
with a walking stick and a blue rinse.
Twenty-one again if she closes her eyes,
ignores her aching joints, rheumy fingers.
She's waiting for him in the shadows,
breeze blowing freshly washed hair in her eyes,
shivering beneath her thin cardigan.
He steals up behind her,
wraps his arms around her thin waist,
shared laughter,
warm glow,
brilliant smile.
Advice
Hey friend, take my advice,
watch the world through rose tinted glasses,
paint your feelings in primary colours,
and never let the bastards get you down.
Think once, think twice
then throw caution to the wind,
dive into the river and sink or swim.
Look left, look right
then take a deep breath
and put faith in the dice and
dance.
Dance with your friends
in armchairs on rooftops,
laugh with your siblings at family functions
and never learn by other people's mistakes.
Choose your friends and your drinks wisely,
and mix them carefully,
tequila, with a vodka chaser, will not make you
glamorous, sophisticated, or particularly nice.
Make every day an adventure,
and above all, remember this,
never listen to bad advice
and always remember the people you've kissed.
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